Alternative Worlds: IGRS Seminar
Marjolaine Ryley - Growing up in the New Age
Notes from a talk given as part of
the ‘Alternative Worlds’ seminar series at the Institute
for Germanic and Romance Studies, University of London School of Advanced
Study.
- http://igrs.sas.ac.uk/
- http://w01.igrscms.wf.ulcc.ac.uk/index.php?id=524
»
PDF
version
• Introduction
– background to the project
• The
Letter
• Family and
the truth – on ‘dropping out’
• The
Beginning / The Ark / Their Voices / Intertwining Strands
• The Meandering
River – Memoir of an alternative life by Brigitte Ryley
• On
Counterculture – what is counterculture?
• Kirkdale
– a living alternative
• The Dark
Age of the New Age
• The 90s / noughties
and the new work
Introduction-
background to the project
Growing up in the New
Age is an artist initiated research project and forms part of my practice
as an artist, which explores ideas of memory, history, familial relationships
and archival narratives.
I use autobiography as
a tool for investigating my subjects, the work moving between the
personal album and the social document.
- Growing up in the
new age draws on my own life growing up in the 1970s and 80s and
my parents experiences, from their initial meeting in a commune
in the south of France, to the early formulation of their ideologies,
set against the backdrop of political and cultural happenings of
the 1960s and early 1970s.
- This journey has
led me to touch upon philosophies of the 1960s, 1970s and early
1980s including pacifism, anarchism, counter-culture, left wing
politics, women’s rights and ‘new age’ ideas.
- The project also
explores alternative education and the belief systems that led to
the founding of Kirkdale Free School by a group of alternative thinking
parents in the 1960s. The school is a place I attended from 1976
– 1987 and is one of several free schools in the UK the most
famous of which is Summerhill (founded by A.S. Neill).
- The project also
reaches out to explore the wider community of legal squats and communes
that thrived in South East London in the 1960s and 1970s.
GUITNA was Initially funded through an ACE research and development
grant.
I was able to commission
some new writing from my mother whom I have collaborated with in the
past and who has recently completed an MA in creative writing
The work uses a range
of approaches including photography, film, writing, collecting, re-using
archival materials and the web.
This talk is roughly
chronological however the nature of the work is anything but linear,
forming rather a fragmentary, disrupted and dreamlike, narrative.
The imagery I’m
going to show is a mixture of:
- Selected photographs
from the archive of photographer Dave Walkling of squatting and
Kirkdale school
- A variety of materials
including pictures from our family album and images from the 1980s
- My new photographic
work which tries to piece together a new ‘Utopia’ an
imaginary place akin to the childlike, psychedelic experiences of
Alice in Wonderland, a magical but uncertain place fluctuating between
a beautiful dream and a chilling nightmare.
I’ll also be reading
some writing by Brigitte Ryley / Peter Ryley (from an autobiography)
and my own text works hoping that you will get some sense of the different
voices who are all apart of this story…
The Letter
“Come
mothers and Fathers throughout the land and don’t criticize
what you cant understand, your sons and your daughters are beyond
your command, your old road is rapidly aging, please get out the
way if you cant lend a hand for the times they are a changing”
It had been 10 years
since Bob Dylan had written the following verses but in 1974 when
my paternal grandfather John Ryley wrote the following letter to my
maternal grandparents in Belgium, their children it seemed were more
beyond their command than ever – its worth hearing the letter
in full as it sets the context for his extraordinary comments:
“Like yourselves
we are sorry that Peter and Brigitte have chosen to “drop
out” of society. I respect their views but believe that society
is best helped and improved from within. We must however be grateful
that they have not turned to drugs, dishonesty or violence. We shall
all have fewer material belongings in the future so perhaps they
are preparing themselves for the world of the future”.
The thing about finding this letter, discovered by myself and my mother
during the traumatic aftermath of a fire in my grandmothers apartment
(a subject forming part of a previous project) – was that you
could really sense the worry for them of not knowing where their children
were - ‘they’ were always the ‘despised figures
of bourgeois authority to my parents, but they were also, of course
parents themselves – and their children had a six month old
baby with them when they ‘dropped out’…
Family
and the truth – on ‘dropping out’
We all seem to go through
a phase of rebellion, a period in which we must throw out the ideas,
ideologies, beliefs of our parents – this seems a necessary
rite of passage.
In Into the wild the
film based on the true story of Christopher McCandless who dropped
out in the search of his own ‘alternative world’ in the
depths of Alaska there is a scene where he forms a friendship with
a travelling couple.
-The character Jan Burres,
asks about his folks “you look like a loved kid – be fair’
– she says
– to which he replies:
“to paraphrase Thoreau here: rather than love, than money,
than fame, than fairness, give me truth”
(In the film Into the
Wild is a 2007 American drama film by Sean Penn based on the 1996
non-fiction book of the same name by Jon Krakauer) / Henry David Thoreau.
Chris’s decision to drop out was largely a response to the discovery
of a lie at the very heart of his family.
My parents were both
searching for their own truths, and yet as so many of us discover
the family ties are stronger than we think, - and in fact so many
alternative communities offer a way of life that in some ways is very
childlike and regressed– a new set of rules and values begin
to replace the old familial system.
But in these pictures
I’m already here - we must go further back.
The Beginning
/ The Ark / Their Voices / Intertwining Strands
Extracts from my Father’s
Autobiography “Wandering Fool”
"On a glorious
may morning in the year of our lord nineteen hundred and seventy,
fate tapped me on a shoulder in a monastery."
"Two years previously,
the events of may ’68 had rocked France like a hurricane whose
turbulence was felt all over Europe and beyond. That same year was
a revolutionary one in the regime of my own life. I am standing
gazing into the black water of the half-countrified park-estate
not far from my parent’s home. I am going to move on and I
say to myself: all these years you’ve talked about living
in the country and you’ve only been there as a tourist. In
January I’m established as the sole resident of a seaside
cottage on the hebridean island of Jura."
He goes on to describe
a meeting with a writer Paul wainright
“ With hindsight
Paul was my first spiritual father – an expression he would
have detested. Paul made his own rules, lived his life in his own
way. No matter what it cost him - and the cost was often high. Who
he was made this statement to me: a man can make a world, a life,
as he wants it. He does not have to let the world dictate the rules
of his life. Paul I hope I have remained faithful to this great
precept, which I learned from you.”
You begin to know my
dad from these shorts paragraphs...
Brigitte and Peter met
at L’arche (community of the Ark) in 1969 Let me tell you a
little about the ark.
Mark Shepard describes
the ark–
“Tucked away
in the windswept mountains of Languedoc in southern France is a
small island of peace known as the Community of the Ark. Founded
and formed by Lanza del Vasto—often called Mahatma Gandhi’s
“first disciple in the West”—the Ark is a model
of a nonviolent social order, an alternative to the overt and hidden
violence of our times.”
"The community
was the inspiration of Lanzo del vasto, a Sicilian reputedly of
princely antecedents, who had spent time with Ghandi in India in
the thirties. He was a tall white haired and bearded, fiercely blue-eyed
patriarch, more given to poetry, theo-philosophy ad virile piety
than to gentle warmth, humour or the common touch".
"The bread was
baked on the premises, carpentry and building being other crafts,
whilst the women were active in sewing and weaving. All the companions
had their own hand-woven cloaks, many of the men had sleeveless
jerkins and trousers: the woman long skirts or dresses. These were
undyed, the predominant colours being brown and cream."
The story of my parents time spent in southern France is fascinating
but we don’t have time for all of it tonight instead let me
read the beginning of a beautiful text written for the project by
Brigitte – the rest can be read on-line and while I read let
me show you a selection of the images by Dave Walkling of the era
of squatting in countercultural south London.
The Meandering
River – Memoir of an alternative life by Brigitte Ryley
"South London is where I live.
I was born in Brussels and came to England in the early Seventies.
Wherever I happen to wander, there seem to be traces from the life
lived during those years. It is as if fragments were left for me
to pick up. I often take journeys across those homelands to reminisce,
remember, make something real come alive from across the veil of
absence, wrapped around me, making an orphan out of me. Now I try
to cultivate a sense of voluntarily exile. From that space filled
with absence, memories, voices from the past speak to me. They shout,
we are part of you, take us back into yourself. Let those stories
you thought were better forgotten, come alive and reveal their secrets."
Crystal Palace Park
I take bus number 176, the bus linking
Oxford Street with Penge. Interestingly that bus route passes by
all the homes I occupied since moving to England; Lordship Lane,
Laurie Park Road, finally 81 Thicket Road where it all began. I
stroll around the lake past the dinosaurs; despite small improvements
added over the years it seems nothing much has changed. It’s
hard to believe that number 81, at the edge of the park, now an
elegant Victorian house divided into flats was once a legal squat.
It was run by a group of architectural students with the agreement
of the local council.
Memoir
continues here ...
On Counterculture
– what is counterculture?
-Looking back my parents
seem extraordinarily brave, courageous, ‘hip even’ -they
were part of “the counterculture” a now almost magical
term that I’m trying to absorb understand, having access to
these extraordinary pictures has helped fill in a visual gap, a hole
left by a childhood with very few photographs taken, I’m in
awe of that time – I was there if only I could remember more
of it….
In his book Counterculture
through the Ages, from Abraham to Acid House, Ken Goffman states a
'different type of human excellence – defining counterculture’
he goes on to describe-
“Nearly
universal features of countercultures"
- Breakthroughs and
radical innovations in art science, spirituality, philosophy and
living.
- Diversity.
- Authentic, open communication
and profound interpersonal contact. Also generosity and the democratic
sharing of tools.
- Persecution by mainstream
culture of contemporaneous subcultures.
Exile or dropping
out”
He also writes that:
“Counterculture
cannot be crafted or produced: it must be lived. Where counterculture
prizes pushing the boundaries of art, it prizes even more approaching
life as one artistic experiment. Where counterculture values novel
thinking, it strives most to express that ideation in the action
of the moment. Where counterculture embraces spirit, it does not
settle for periodic acknowledgement of divinity through the repetition
of some arbitrary gesture, but instead attempts to live each day
as a constant dynamic expression of spirit itself. The artifacts
of a particular counterculture are by-products not end –products
of countercultural living”
Counterculture through
the Ages, from Abraham to Acid House, Ken Goffman, Villard, books,
2005.
Kirkdale –
a living alternative
the lived experience of a countercultural
way of living – there is not enough time to fully explore the
many aspects of Kirkdale – but the experience of education free
from co-ercion was fairly unique.
Days were spent, as you liked, climbing
trees. Playing games, rolling in the mud, painting, fighting, and
forming bonds with people of all ages. Learning happened once you
were bored of playing…..
Like all ‘perfect worlds’
however when you are expelled from the Garden of Eden you realize
that the ‘other’ world is not quite so forgiving.
The Kirkdale chapter in this story is
just beginning and I’m exploring this through film, conversations,
excavations, old friendships re-kindled and many other means..
The next part of this journey takes us
on a foray into the ‘New Age” I call this part ...
The Dark Age
of the New Age
In his book Utopia, Merlin Coverly writes,
(Harpenden 2010)-
“..as historical fashions change,
so one generations utopia may, and almost always does, become the
following generations nightmare”.
So what happened?
Kirkdale closed, squatting and communal
living came to an end, though my parents incredibly lived together
in communally hoses until I was about 9 despite being separated people
got jobs and dispersed, some tried ‘to drop back in’,
others remained, true to their values, on the margins.
In some ways it is this period that holds
the most fascination for me and that I’m still attempting to
investigate…
“I hate the compromises life
forces us to make, we must all bend a little if we are not to break”
– Bill Bragg from Red/Blue.
During the 1980s – my father ‘dropped out’ for the
second time – this becoming involved with primal therapy, travelling
first to Paris then on to the primal therapy commune in Los Angeles.
My mother trained to be a psychotherapist,
and my life in south London became a bizarre mixture of the misery
of ‘normal school’ and weekends and evenings spent as
an observer, witness and sometimes participant in a variety of my
mothers weird and wonderful ‘new age’ activities.
On his return from LA my father’s
interest in all things New Age continued leading him to develop his
own version of the Taro called “Rainring.”
When I first conceived the title for
this project – I googled the name GUITNA and a second hand copy
of best autobiography I’ve ever read in my life fell into my
lap (one of those synchronistic moments you might say!).
The book was - Paradise Fever: Growing
up in the shadow of the New Age, by Ptolemy Tompkins son of Peter
Tompkins author of ‘The Secret Life of Plants’. He perfectly
sums up the child view of adult ‘goings on’ . Children
are usually open minded enough to ‘give things a go’ but
ultimately see through anything suspect with razor sharp vision…
“The romance with things
occult and miraculous that gripped America in the 1970s - a romance
which was eventually to evolve into the New Age phenomenon as it
exists today created a great gulf between the believer and the non
believers, between those who became heavily invested in these new
ways of seeing the world and those who thought them nothing more
than an exercise in self-indulgent and wilful credulity. Emotions
ran very high on both sides of this divide, and no one was more
adept than my father at stirring up indignant opposition in the
tents of scientific orthodoxy. When he told the news media that
apples experienced the equivalent of an orgasm when eaten with a
loving and respectful attitude, or that invisible, humanlike nature
spirits swarmed within the greenery of a well tended garden-and
worse, when these pronouncements were greeted with enthusiasm by
journalists and readers alike-botany professors around the world
felt their throats constrict and their scalps grow hot with rage.”
P.8
“With all these innumerable
hidden intrigues, secret histories, and shadowy, occult goings on,
the basic argument was the same. Nothing was ever what it seemed
on the surface, openings in the small and all-too-normal world would
appear: openings that would turn into roads leading into a vast
dimension where all kinds of things un-dreamed of were made gloriously
manifest."
"Of course, I was already
well aware that the world possessed a secret life. The message had
been instilled in me by every comic and horror film I had ever seen,
and night of the living dead had driven it home once and for all.
The problem lay in the nature of this secret world. Was it as I
suspected, a place of cacophony and terror? Or was it as my father
so vociferously maintained a place of happiness and love and communion?..and
how did my father, especially given the chaos that filled his own
life so constantly, know it was so good out there in the dark!”
Ptolemy and Marjolaine – names surely sprouted from the seeds
of new age thinking – and both of us after our own rebellions
– found we were after all our parents children and returned
to continue our own investigations.
The 90s / noughties
and the new work
New text pieces-
Crazy particles
and bluebells
You went to visit him,
another rupture in time and space opened and you entered the bed-sit.
You felt the strange expanse of his mind, rolling waves, turbulent
seas, psychic distortion, tinged with moments of lucidity. You ate
mashed potato and frankfurters with ketchup and mustard. He rolled
many cigarettes, his eyes glazed as he talked and read to you. He
had been typing his life story, tap, tap, drop by drop of ink on
the old typewriter. Then he told you about many things. A woman
who had channeled the word of god and the mother, imbalance, how
the world was so out of synch, how the earth changes would soon
be upon us. You walked together through a sea of bluebells a carpet
of purple all around you and over and over you tried to quantify
his state of mind. Crazy. Not Crazy. Crazy. Not Crazy. Who knew?
Perhaps just like in the Mevlana poem you were both just crazy particles
floating through the woods around Tunbridge Wells.
Shooting Stars
As you lay, belly down,
the sun feeling its way between the stems of long grass, wasps buzzing
dangerously nearby, camera before you, you felt yourself remember
in some deep recess of your soul, yes that was the word that came
to mind; your soul was being revived, stirred, called. You were
remembering the person you had chosen to ignore. A wise man, shaved
head, doc marten boots, beautiful eyes, once told you as you picked
nervously at the frayed edge of the armchair, how people spend a
lifetime without realizing that we all have multiple personalities.
Embracing the different parts of you is the hardest thing. So how
could that spirited, anarchistic child full of self-assurance, joy,
energy and a dictionary of swear words no child should know, have
turned into a conformist member of society with a nine to five job
and a mortgage. You are living the wrong life. There it was as clear
as the shooting stars that you had watched the night before as you
lay on the grass staring up at the clear skies with two other momentary
kindred spirits. And just as the alternative personality of the
gypsy fortune teller that you had dressed as that night of ‘come
as your alternative profession’ seemed eerily to have the
gift of sight as she read peoples cards, so you now had the gift
of insight, the gift that so may had sought through these very same
means.
I could tell so many
stories about listening to gurus, visiting tee pee people trying to
astral travel, trying to experience shamanic journeys…The project
is in full swing, I’m in the centre of it, looking outwards
and inwards still not sure what it all means.
“The past is always knocking incessant trying to break through
into the present”
‘I used to
want to plant bombs at the last night of the proms, now you find
me with the baby in the bathroom, with a big shell listening to
the sounds of the sea”
Billy Bragg (from William Bloke).